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Movie Review by Scott Phillips Do I even need to review this flick? Regular readers already know that Charles B. Pierce's classic is the
Bigfoot movie. This "true story" is told documentary-style, "recreating" sightings of—and better yet, attacks by—the creature that dwells in the swamps near Fouke, Ark. Featuring crotchety old fellas
hanging around and spitting, Boggy Creek does what no other Bigfoot flick can do—actually give me the heebie jeebies. Sure, the creature looks like a skinny guy in a mouldering fur suit, but Pierce manages to do something few
directors can do: direct the landscape, bringing a mysterious and spooky feel even to the daylight scenes. Now, before you get the idea that I'm saying this is some kind of horror classic on a par with, say, The Exorcist, let's
get one thing clear: A huge amount of this movie's atmosphere is provided by the weird, low-budget, see-it-at-the-drive-in-with-your-scared-girlfriend (or boyfriend, as the case may be) quality of the thing, and not necessarily by
the talent of the filmmakers. But by God, if you can watch the scenes of the creature lurking outside isolated houses and scaring cats to death (!) and then go to bed without being freaked by the tree branch scratching
against your window, you're a better man than I. And what about those songs! "Perhaps he dimly wonders why
Call it "Love Theme From Boggy Creek," call it "Shit Sandwich," but this sad ballad crooned over footage of the creature shambling through the forest will outlast that damn song from Titanic, I'm here to tell
you. Then there's, Bring me the Head of Travis Crabtree, featuring inspired lyrics like: "Hey Travis Crabtree Take that, Celine Dion! Why touching ballads in a Bigfoot movie? Why the hell not! And check out Herb, who limps because
he "accidentally shot part of his foot away in a boating accident." No song for Herb, but he's a great guy anyway. A hugely important drive-in classic. Watch it late at night, curled up in bed with the
lights off. |
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Let us know you were here and that what we’re trying to achieve is not going to waste. If you appreciated what you saw here (or didn’t), tell us by signing our guestbook below. You can do us a BIG favor, too... Please share this site with a friend. Thanks! |
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Please help by clicking the button to the left. It costs you nothing, but just by clicking, you could save the life of a starving child. You can return here once per day and click the button to donate food. |
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Would you like to know more about us? Just click below. |
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February 11, 2000 |
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Captions and photos by Jay Barrymore ©2000 all rights reserved |
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We are always looking for photos that you might have taken. They must include your name, email address, and a brief history of the area and/or photograph. It should include information that we are able to research and verify. We do not accept copyrighted photos (unless you are the copyrighter), and we must have your written permission to use them on our website (an email message along with your return email address that we can confirm will usually suffice). All photos used become property of Jay Barrymore and Gil Davis unless otherwise noted (copyright info will appear with the large version of the photo). Though we make every effort to insure accuracy of information provided in “The Beauty of Louisiana” website, we cannot be held responsible for inaccuracies in the composition of the materials appearing here. Unless otherwise noted, all materials, text, and photos used in the creation of this website (with the exception of public domain graphics) are copyright ©2000 by Jay Barrymore and Gil Davis. We will gladly grant permission for you to use any materials that are copyrighted by us which appear on this website for non-profit puposes only. If any of this material will be appearing in a for-profit publication of any type or will be distributed for a compensation of any sort, you must obtain written permission from us to avoid violation of copyright laws. Any use of copyritten materials by anyone other than us must be approved by the individual or company holding the copyright. |
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